Listen to Your Mother

Last year I heard a lot of buzz about a show called Listen to Your Mother.  Some of my favorite bloggers participated in "giving Mother's Day a microphone." I didn't attend, but I checked out performance after performance online.

I submitted this year. It sounded so cool that I submitted two different essays to two different cities.  I haven't heard about the Oklahoma City show yet, but...

Guess who has a callback to the NW Arkansas show on Saturday? 

That's right.

Me.

I'm so excited to make the first cut.  It seems like a great opportunity to grab your favorite ladies and enjoy a night out.

Check out the website for a show near you.

Or in stolen moments, check out past performances here. 

Hopefully, I'll be able to share my story, too.

Writer's Wednesday: What words should be censored in children's literature?

I love agent/editor panels at conferences. They offer the opportunity for authors to experience the flavor of agents' personalities.   The same questions are usually asked, and, if the session is mediated properly, it doesn't have to be entirely tedious. 

Oklahoma Writers' Federation, Inc. had a fabulous group of agents this year who served on the panel. Louise Fury, Stephen Fraser, Jessica Sinsheimer, and Emmanuelle Morgan are all impressive and should be checked out if you're looking for both pleasant and hard-working agents.

In response to a certain question, I've heard many responses over the years.

• It depends on the publisher.
• It's fine if it fits the character.
• It's fine if it serves a purpose other than shock value.

The following question and answer may not be verbatim, but it's how I remember it.

And I like it this way.


Are four-letter words unacceptable in children's literature?

Stephen Fraser's reply:
Only one. HATE.

Click here for an interview with Stephen Fraser as well as a photo of his spiffy, trademark bow tie. 

Journal: Voice

As authors we try to find our writing style. Our something that sets us apart. We try to recreate on the page something as original as we are.

It's called voice.

I just finished Kristin Walker's debut novel, and I love her voice. The novel is told in first person, and I totally want to meet her protagonist. Like so many other novels, Walker uses a Jane Austen structure and refers to Pride and Prejudice frequently. The main character's is just as compelling as Elizabeth Bennett or Cher Horowitz of the '95 film Clueless, another Austen nod. Fiona is funny. She's flawed. She's real.

Are you searching for your voice? Check out this novel.

Journal: Write a scene with two students and a teacher. Write it from each person's distinct point of view.